<![CDATA[Steve Bird Art - Blog]]>Fri, 18 Dec 2015 16:36:08 -0700Weebly<![CDATA[Presentation finished]]>Tue, 06 Oct 2015 03:51:18 GMThttp://www.stevebirdart.com/blog/presentation-finished
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So I finished the 4th Joyful Mystery, "The Presentation." Praise be to God! It feels pretty good to be done. I think it definitely helped having the underpainting there to work on top of. I made some minor tweaks as I went along but pretty much stayed true to the original design. 

It definitely helped doing a lot of the heavy lifting prior to the final painting and made this step a lot quicker and more enjoyable. 
I don't really want to offer too much in the way of an explanation of the composition and other artistic decisions I made. I feel like that always cheapens it, and it's much more fun to let the viewer make of it what you will. 

I will let you know, however, which parts caused the most trouble and which came the easiest. It is very hard to tell which will be which when first starting out. Areas that I think will be the most challenging often aren't, and vice versa. For this one, I probably spent the most time on Anna's green cloak, never quite satisfied with how it was turning out. 

I was expecting the hands and faces to take the longest but actually I was able to do them fairly quickly. 
To be honest, when I come to this point, I am ready to move on. I feel like I've been staring at the same image for months (which I have), and have already spent a lot of time daydreaming of other paintings I want to make.

Next up is the last of the Joyful Mysteries, "Finding Jesus in the Temple." I am excited to get started and to actually complete this series which has been years now in the making. With my schedule, it is not always easy to scratch out the time to be able to work on this stuff.
I already have the composition in mind that I want to use for the final painting. I am now just working on finding the rest of the models I need and photographing them (any takers?). Stay tuned for the final installment of the series!

Let me know what you think and please contact me if you'd like to buy a print of this painting.

Oh and make sure you follow me on instagram to see the next painting every step of the way!
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<![CDATA[Presenting the Presentation]]>Wed, 16 Sep 2015 19:32:33 GMThttp://www.stevebirdart.com/blog/presenting-the-presentationI have recently been working on the 4th mystery of the Rosary, the Presentation of the Lord. In thinking about the design of this painting, I wanted to focus on that moment that Mary actually hands over her son, Jesus, to Simeon, a complete stranger to her. Her action prefigures the sacrifice she will one day make, handing over her son to complete strangers, to the world that would torture and crucify him. It is a foreshadowing also echoed by Simeon's own prophecy delivered moments later:

    "And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, "Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that the thoughts of many hearts may be revealed." Lk 2:33-35

I have continued to use the same, somewhat involved process of a) making a complete charcoal sketch of the final painting, b) doing a color study using a print-out of the charcoal drawing, c) tracing the drawing onto a canvas, d) painting a monochrome layer on the canvas, also known as the "umber layer" and then e) painting the final layer, in full color, on top of that. It is a technique that certainly has its advantages and disadvantages. 
 


I did some preliminary sketches this time before making the final charcoal drawing

Here is one of Simeon. 
Here is the final charcoal drawing of the scene. One of the advantages of using this method is that you get a sense of what the finished painting will look like, using a medium (charcoal) that is much quicker and easier to work with than paint. 

I decided to include 6 figures in addition to Christ, making him the 7th figure. The characters essential to the narrative are Joseph and May (left), as well as the prophetess, Anna, who is holding a birdcage - in those days, poorer families customarily sacrificed doves in the temple instead of lambs, upon the birth of a son - and Simeon who is directly opposite of Mary.
Here is a detail of the color study I did on a print-out of the charcoal drawing. The idea behind the color study is to just get a sense of the overall color scheme and try to get a feel for the light and dark tones, the warm and cool values that will allow the painting to take shape in a 3-dimensional way. The details of the painting are less important. I must say, however, that I have not really mastered the utility of this step of the process.


Working on the final painting has been relatively slow-going. Although, once all of the preliminary work has been done, it makes this last stage much quicker and smoother - which is actually a great joy. Below are some details of the final painting, still a work-in-progress.


I also have recently created an instagram account! You can follow me there to get even more regular updates on what I'm working on. @birdman.627. 
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<![CDATA[Happy Birthday Mary!]]>Thu, 10 Sep 2015 05:17:18 GMThttp://www.stevebirdart.com/blog/happy-birthday-marySo it's been about 6 months since my last blog post! I figured it was about time to provide some sort of an update on the projects I have been working on since March. It also seems appropriate having just celebrated the Feast of the Nativity of Our Lady, as she has been the focus of the artwork that I've been making. 

Since my last post I have finished 2 commissions (one was technically a wedding present so I don't think that really counts) of our Lady. The first was "Our Lady of Joy." Below is the finished painting. 
I made some prints of this once it was done. I actually had a considerable amount of trouble adjusting the photograph of the print to get the right contrast and to get the colors just right - staying as true to the original painting as possible. The halos kept looking too orange, or too washed out. The painting was done for my wife's aunt, for her birthday. It was a real honor getting to work on something for someone who has always exhibited the same generosity of spirit as Our Lady. 

I also thought I would show for fun, the joys and the challenges of working surrounded by our wonderful children. I think these pictures pretty much say it all. This is mid photo-shoot where my wife (who was pregnant at the time) was posing and trying to corral the other squirrelly little model. 
He was fascinated by the camera. Go figure. I pray that it will be a short-lived obsession. Cindy as always, was my willing model and a real sport.

I also completed a painting as a wedding present for some good friends of ours. It's a Madonna and child, Here's the charcoal sketch and the final painting side by side. 
You can see the slight adjustments between the drawing and the final painting, most obviously in the faces of both figures. I think I actually like Mary's face more in the drawing. 

Let me know what you think and please contact me directly if you'd like to buy any prints of either of these pieces. 
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<![CDATA[Nativity complete]]>Mon, 02 Mar 2015 06:05:15 GMThttp://www.stevebirdart.com/blog/nativity-complete
So I am pretty much finished with the 3rd Joyful Mystery. Here is the overall piece. There's some glare on the canvas on the right which is kind of spoiling it. Please try to ignore that.
and some close-ups of while it was still a work in progress. 

I somehow managed to finish this while we were experiencing our own little nativity. Our 3rd child, Joel, was born last Sunday, a healthy 8 pounds 10 ounces. Of all my artistic endeavors, nothing could ever hold a candle to the masterpieces that Cindy is able to create. 
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